Born in 1989, Jamaican-born, abstract painter Dana-Marie Bullock has resided since 2016 in New York City, which serves as her artistic base.
Shaped by her fulfilling, yet often raw, experiences as a social worker in Jamaica, Bullock’s art is rooted in autobiography, social injustice and unconstrained imagination. Her abstract, larger-scale paintings leverage multiple media and comprise an interpretive blend of blurred scribbles and amorphous forms overlaid with a broad array of bold colors and textures. Her paintings represent a modern take on art that explores a myriad of emotions, and targets societal issues such as racial and gender inequality – subjects that society tends to shy away from.
Ultimately, Bullock aims is to stimulate discussion and motivate audiences to develop their own interpretations.
As a case in point, some may view the disjointed female body parts as an embodiment of the steady drip of oppression faced by females in society, with the bold eyes suggestive of not only fear and pain, but also society's negligence in addressing these issues.
Bullock has received multiple awards at various shows in New York City, along with media coverage in both the United States and Jamaica. In July 2019, Bullock exhibited at the National Gallery of Jamaica. In addition, some of her works remain on display at the Ministry of Culture, Gender, Entertainment and Sport in Jamaica and The Conference Board in New York City.